About the broken feature of photosharing: discovery and explore

Whereas photosharing has become so popular for the last years, it is well known that most of the time, looking for “good photographers” – which means someone who takes pictures YOU like, has become more and more challenging. Arthur Chang has already written an excellent post about this. Curation is indeed a real challenge as the flow of new pictures is getting each month even bigger.

Some may argue they can always find good picture easily. I can’t and more important, I am struggling finding photographers I really like. That’s surprising because I am a very versatile photographer and I can like a lot of different “species” of photographers. But the reason is trivial. There are now too many pictures!

Too much information

I don’t know Arthur, but he seems to have tons of good ideas about curation of your friends’ photos. And obviously, there is some real room for improvements. I have had several times some discussions with Pictarine‘s founder similarly. There service is a great curating tool, but it still does not help with information overload, at least so far. That’s more the other way around, you are not going to miss any picture! And again, I don’t know whether my existing contacts are really so close to connecting me with the photographers I like. In theory, yes, and the only good tool I know, flexplore, is doing a really decent job. Most of the pictures are beautiful. It helps a lot to discover great pictures, but not to connect with photographers I like because a good picture does not mean you will like the work of the photographer! At the end of the day, photosharing is about people, not photography.

Most of the photosharing services are egocentric, which can be fine, fair enough. But it is not enough. When you like photography per se, not only because you need to have some people who are faving your photography just because you faved theirs, you would love browsing for more. You want to be surprised, you need emotions, you want to discover. And like said Thomas Hawk, most of the photographers’ work will stay unknown by those who would like to see it. More over, it is now so easy to engage and communicate, you would love to contact them but you can’t because there are lost in the noise of “too much pictures” and “very limited explore features”.

What a good picture means

OK there is maybe Flexplore again, but it is still very limited. So I don’t know any tool good at showing me some interesting pictures for ME, and I have no doubt someone else will not find interesting the same pictures than I do. And that’s the point. Some services have tried to quantify the aesthetic of a picture. I tried it, and I am not convinced! Other clever tools exist to auto-tag pictures and autocrop them (Which means they could quantify a lot and help you a lot). But no real “discovery & explore” tool aside from Arthur’s criteria:

  • Quantity of views
  • Quantity of actions taken
  • Quality of person who viewed or acted (based on their own accumulated algorithm results)
  • Time (recency)

I am sure this tool would need some personalization because, again, there is no way to find and absolute way to classify photographies. I can’t care less about puppies’ pictures, some would love seeing thousands of them, I respect that. Conversely, I like HDR, B&W and many other kind of pictures, some love or dislike HDR or B&W and so on.

We are still far – well at least as far as I can know – given how poor the existing libraries are able to quantify the aesthetic of a picture and also because auto-tagging is still at its infancy. But for sure there is here a fantastic subject for brave and talented entrepreneurs… In the meantime, I would love seeing Pictarine and Arthur’s project helping me on my urgent need for good pictures!

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Some thoughts about the future of photostreaming

Photostreams are now just a commodity for any social service, and has improved dramatically for the last months. Facebook and Flickr recent improvements may be two obvious examples. Let’s list first some trends in 2012:

Bigger is better
That’s obvious: the experience improves with the picture size and photostreams are now able to display much bigger pictures.

Adjust to your screen size
Services like Flickr allow you to see a given picture of a stream, by clicking it, at the maximum size possible. Cool.

Endless stream
That’s also obvious, we hate clicking on “next page please”, and, freaking consumers that we are all like to see as many pictures as possible in the shortest time frame available.

Mosaic and no blank space please
Similarly, photostreams are now more and more mosaics without any blank space between pictures. That’s sound obvious nowadays, but that’s something actually recent. However, how and if you must crop pictures to display the stream is something yet not so clear:

Square crop
Square crop has become very popular, but for some, like Flickr, who are still preferring a justified streaming. Unlike some, I am not a fan of square crop, even if I do understand its usefulness, and to be more specific, for mobile device.

Present limitations
I understand my pictures must be cropped, but right now, it is far from being ideal. And browsing my Google Picasa albums with front page badly square cropped is just depressing for a photographer. Intelligent cropping tools are now starting to be available, so hopefully, this will improve soon.

Another problem with streaming is actually the search. We mainly browse mainly by either “time” or “tags”. This experience can be really frustrating, as pictures are now counted by billions, and you don’t want to see most of them for many reasons. Actually, it is becoming a real challenge to find the kind of pictures you are looking for. The trend – more and more pictures taken every year – will make the search experience on pictures more and more frustrating without some dramatic innovations.

That’s why I am sure, or at least I hope, that many new intelligent tools will be soon available. There are many ways to find what you are looking for and that’s how photostreaming may evolve: you can already give an aesthetic number to a picture. That’s very arguable, though. But I prefer from far missing some good pictures because the tool miscalculated their aesthetic value and browsing only “nice” pictures than browsing tons of uninteresting pictures for me. Yes, interestingness is really something photostreams are taking care of in a very basic way so far. Other tools are now providing a context to pictures, trying to avoid not only the tagging tasks, but providing some semantic to a picture to let people browsing it the way we want.

On top of this, there are now many ways to push your content to different channels and one person can post a picture to many streams. So services like Pictarine look to me a great way to display photostreaming by person. This dimensions does matter too. Search & display by people is really something still at its infancy for photostreaming. But let’s go a little bit further, I would love being able to look after a kind of photographer. Right now, finding new photographers that you like is a challenge, as we have all very different tastes. And photography has become so popular, there is no such thing than discovering new skilled photographers lost in armies of photographers you can’t care less about. Anyway, tha’ts something else I would discuss in another post.

Conclusion: how to handle an exponential volume of pictures?
So to make a long story short, the main challenge of photostreaming, in the future, would be to take care of “volume”. I believe that several business will be extremely successful if they will be able to improve the photostreaming experience of users. Welcome to a digital world of billions and billions of pictures… and counting.

What Google Drive now means to photography and Picasa’s users

Yes I know, it is no more “Picasa”, nowadays man must write “Google+ photos”.Yes, but it is still “Picasa” as you need to download it first. Thank you Google, I love you, but your engineering inconsistency is typical of the geeks I know so well! So I will try to clarify the mess due to a somewhat clumsy if not incomplete integration of the 3 services

Basically, Picasa used to be:
– A way to store pictures on line,
– A way to share pictures on line,
– A catalog software with some easy to use features for improving your pictures.

Google implemented Google+ but created a confusion as some services of Picasa are still available. More important, Google Drive has been released later than Google+, which added to the confusion as some services of the former Picasa (like storing on the cloud your pictures) was not feasible but thanks to the older Picasa services. Even more confusing, you can still do the same thing thanks to both services, but you don’t get the same result! (tip: you can still use Picasa the old way) and you don’t do it the same way!

Drive is much better than the former storing services of Picasa, as your files structure looks like the same way than on your desktop/laptop (at last!) and not the stupid flat way of Picasa’s storing services. For some people, sharing with Google+ is not exactly better than with Picasa as long as your contacts don’t belong too to Google+, and frankly can be confusing. But at the end of the day, that’s the future and I think people can share much more easily thanks to social network compare with the old fashioned way (emails!). So yes, you need to learn how to do it and your contact should join Google+. I believe that’s a great photosharing service for private pictures, much better than Facebook thanks to Google privacy options and policy.

As a photos catalog software (Edit/Organize/Publish), Picasa is still Picasa and compare with others, I like it even if far from being perfect. I think the main advantage is the speed display of the (big) thumbnails which is, as far as I know, so far unchallenged by, for instance Lightroom. However, this software looks of course much better in many ways, but as a pure catalog software, I just prefer Picasa. The trade off with Lightroom is not easy, for many users, as improving pictures is much better with Lightroom. But that’s something else. Let’s come back to Google+ and Picasa!

Google has let some Picasa’s feature alive which are actually very disturbing and should not be used: you can still “Sync” your albums, so you might use this feature for storing. Bad idea, as explained before, do it with Drive. “Sync” is only useful when you want to share an album. So that’s how you should work with Google+ Photos/Picasa:

– Use Picasa as a catalog software to delete, classify, and organize your pictures, enhancing them (the crop feature is a must, others are not as good, but can do the job very often) simultaneously,
– Store then online thanks to Drive (or competitors like Dropbox),
– Create files for albums of the best photos you want to share,
– Sync them online, and share them thanks to Google+

And my final word: enhance the pictures thanks to Lightroom, after having deleted and organize them thanks to Picasa. Share them with Google+ for private picture, or with the other photosharing services (Facebook, Flickr) for those you want to make public. Yes that’s a lot of software but in software, there is often no holly grail. So you need several of them to do the job efficiently.

Be aware: Facebook doesn’t give a s..t about photography

Whereas its photo services have improved dramatically for the last months, despite a 1 billion dollars acquisition, you should not believe, even a second, than Facebook is the photographer friend. Actually, I like their honesty: they don’t want to be cool, they want to become a utility. They don’t like photography, they like you spending your life on their website. Users don’t really matter so much (read Terms and conditions, and remember all the privacy settings issues), but what matters yet is to print money. After all, they will be publicly listed this week, so that’s something important.

This week, they also decide to acquire another mobile photo sharing company, but actually not the company itself, just its team: Lightbox. For those who don’t know them, they used to be a good alternative to Instagram. Facebook also bought Instagram not for an interest into photography, but just for their mobile social sharing skills.

Why Facebook sucks

They are going to close Lightbox’s services, that’s too bad for the users. But who cares? Well, the users care, when they spent hours and hours building a community. OK they will start again with Streamzoo, hipsters or whatever. Ok the service was free and you can download the pictures you posted in Lightbox, if you are not in a three weeks vacations without internet (Yes in Europe we do that! Remember, our debt is immense, so are our vacations, sometimes offline). But that’s not the point. What matters is building a community, a reputation and sharing with people.Facebook does not like when you do this without them, which is understandable. That’s not a reason and I despise very much the founders of Lightbox which obviously, despise their beloved users too acting this way. But you should remember that when it is free, you are not the client, you are the meat.

Instagram future

So I am mortified to see that some people still believe in a bright future of Instagram. Of course, I can’t be sure their future will be like Flickr after its acquisition by Yahoo!, but the motivations of Facebook look to me quite similar: integration, talent acquisition, who cares about the product?

Both sides of the coin

That’s business. Internet allow you everything, but that’s true for everyone. What is offered to you can be removed easily. Some ethic will eventually prevail with photo sharing & social web. For the time being, Facebook sucks and cannot care less about ethic, so I don’t like them. Just a few greedy investors and a talented founder is not enough. They missed the point. They did it on purpose, they can afford it. I don’t hope people will remember, I just hope entrepreneurs will leverage this assumed weakness to let their business grow. Flickr, do you hear me now that you seem to have lost your arrogance?

Snap My Life: just one more photo sharing experience?

When you want to store and share your pictures, well you really have many options. But social projects are hype if not in a bubble state. I like to review the existing, old or new photo sharing websites.

So I had a look at Snap My Life. I jumped quickly to their “10 reasons to love them“, and created a profile. Well so far I don’t some real innovation. Their “ambassadors program” looks more interesting for them than for the photographers – I don’t really see the point joining the program. The explore is a kind of 500px but without the quality of images of 500px. Their search is not dramatically giving a new or great photo experience. The site is not exactly very famous and I can’t see any positive trend. Of course they are proposing something unique – basically a mix of photo sharing / data storing on the cloud / music sharing, but I don’t really see the added value of their global offer. There is some geolocation and mobile apps, but that’s look more to comply with some buzzwords’ tyranny rather than a real great experience for the user.

If you want to share only mobile pictures, instagram looks much better. If you want to store your files, Dropbox and others Google drive really rock, and if you like photography, 500px is great. For the social photo experience, Flickr is to me still a king.

I don’t want to blame them but basically, you have now so many photo sharing websites, that it looks more than a challenge to enter this market unless with some real breakthrough, or by fixing something really broken. Otherwise, you will be just one more in the game.

 

Open Source and photo sharing

I am a big fan of open source and of photo sharing. Both together can bring something quite unique on the table but you should ask yourself whether every open source projects works really or not as an open source initiative – useless to write as a useful project by itself.

Most of the time, however one should carefully understand the limitations of an open source project, and the motivations of its main mentors and contributors.

For instance, I like the idea to have some open source code available for catalogue, or sharing pictures, or both. Whereas it is now a commodity (E.g. Picasa – oops I mean Google + photos! – is free), it is far from being often an open source code commodity. And you need the code if you want to build something. That’s not important for end users, but that’s critical for developer working at a new photosharing site for instance.

Therefore, the licensing of the code, something very technical if not boring that you should really look at, however, should be very permissive to let users build easily on top (E.g. of some permissive licences: LGPL, BSD, Apache). GPL will not allow you to monetize your work efficiently, and in many cases, it could be a show stopper for your project.

Whereas I am not so much a fan of Openphoto, I like very much their Apache licensing. Conversely, I like the Pixi.me, free image hosting and photo sharing, based on an open source photo gallery which is, unfortunately, licensed through a GPL. Both projects seems to be commercially-driven, I am fine with that, but I just want to mention their are not community driven (those used to be working with open source project will understand the nuance between both).

Actually, I would split projects in different kind, that’s not specific to open source, but just to clarify things. So I would like to list the services related to the photo workflow:

  1. Post-processing (E.g. Photoshop for the high-end, Aviary for the common mortal),
  2. Cataloguing (Picasa, Lightroom),
  3. Digital Asset Management (Actually for photography “Picture Management”: Lightroom but also Razuna for an open source player),
  4. Publishing services (usually embedded into DAM/cataloguing software but not always and must be customizable),
  5. Photosharing (Flickr),
  6. Analytics (sometimes embedded with Photosharing, sometimes not),
  7. Curation services (Pictarine)

My list is neither exhaustive nor static, but that’s a start.

And whereas projects are done for end-users – non technical people, I am in favour of developers-oriented open source projects where the technical frameworks are getting commoditized and free from the grasp of commercially-driven teams. Open source projects, modular, consistent with this approach, and based on very permissive licensing, would be very useful for everyone. People involved into the projects would get rewarded by reusing the code of the commodities and by influencing standards and trends. That’s basically what people are calling “community driven open source projects”.

Right now, photo sharing is indeed too much a proprietary thing. I hope open source will influence it the right way, so basically the community way. Commercial vendors are here, o.m.h.o., to propose some unique and seamless experience well integrated of the services listed in this blog, but mixing open source projects with end-users commercial ones may be confusing for both developers and end users.

So yes, Flickr and other Smugmug should be based on more open source frameworks and should open more their API. But I am still wondering the added value of trying to replace them by a project like Openphoto!

Sorry but we are not living in a brave new world, that’s good, and obviously photo sharing is going to evolve a lot!